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They are in direct communication with each other across the street that runs between them. The enlarged Kunstmuseum Basel (left: new building; right: main building). swiss firm HHF architects together with chinese artist ai weiwei recently collaborated on a proposal for the international competition to design an extension for … Swiss architecture has definitely become my favourite. Since 1998 the Web Atlas of Contemporary Architecture The Realization Most recently, we have added a third venue: a new building has risen across the street from the main building, to which it is connected by an underground passageway. In 2008, the museum acquired land on the other side of Dufourstrasse and an architectural competition was held. Kraftwerk Birsfelden – Birsfelden Hydroelectric Power Station Date built: 1955 Design: Architekt Hans Hofmann The Kunstmuseum is literally 100 percent made in Basel. Photo Stefano Graziani. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. The spirit of a world-renowned collection and the unique architecture that houses it combine to activate ON; the first of a new series of live events by the Kunstmuseum Basel. Photo Walter Mai. Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. They are in direct communication with each other across the street that runs between them. By using this website you accept our cookie policy Read more Accept Read more Accept This extension consists of a new building built on the area opposite the structure dated 1936. 03.02.2019 - Erkunde Lucie Langes Pinnwand „Kunstmuseum Basel“ auf Pinterest. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. Courtesy Kunstmuseum Basel. ‘Part Parthenon, part Vegas’: Christ and Gantenbein’s Kunstmuseum Basel extension, left, across the road from the original 1930s building. Basel Architecture, Switzerland : Buildings. Architect Planning: Herzog & de Meuron, Basel, Switzerland Structural Engineering: Walther Mory Maier, Bauingenieure AG, Basel, Switzerland As there were no plans to hold major exhibitions at the Kunstmuseum initially, the 1936 Christ & Bonatz building was not furnished with the necessary wherewithal in terms of Each  floor of the new building has two exhibition tracts connected vertically by the monumental central staircase. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. The Kunstmuseum Basel extension successfully complement the main 1930s house without overshadowing it: this is the red thread of the project, which strives at creating kinship while maintaining individuality. ArchDaily 2008-2020. The Kunstmuseum Liechtenstein was built by the Swiss architects Meinrad Morger and Heinrich Degelo, along with Christian Kerez. Kunstmuseum Basel St. Alban-Graben 16 4051 Basel Switzerland pressoffice@kunstmuseumbasel.ch www.kunstmuseumbasel.ch Facebook / Twitter / Instagram. In 2013, the London Times named the Kunstmuseum Basel the world’s fifth best museum. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. From the logistical point of view, the closure of our satellite storage premises promised advantages that museums in big cities, which find themselves having to move their vaults further and further out of town, cannot usually enjoy. Contemporary Architecture in central Europe. Donald Judd, Untitled, 1969. Photo Stefano Graziani. The new building was also to become an architectural landmark, symbolizing an innovative new departure both for Basel as a city and for museums worldwide. The quality materials on the inside are matched by the brick facades on the outside, which from ground up pass through a several subtle gradations of gray. The frieze, in its archetypal form, has always been part of the traditional architectural canon, but in the form it takes here it represents something quite new: sunk into the grooves of the frieze blocks are strips of LEDs that illuminate the hollows between the bricks, shedding an indirect light into the surrounding urban space. The striking pattern of shadows cast by the alternately projecting and receding layers of brick amplifies this impression. Take in top city attractions such as Basel Minster, the Barfüsserkirche, City Hall, the Museum der Kulturen and Tinguely Fountain. The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. Thus it really was our commitment to special exhibitions, coupled with our anxiety to spare the galleries reserved. Its historic nucleus is the Amerbach Cabinet, the art collection built by Basilius Amerbach, a prominent citizen of Basel. Besides, what makes the new building’s exhibition spaces so attractive is the fact that they can be used with absolute flexibility. The Kunstmuseum in Basel images / information received 020316, Basel Architecture Even the underpass connecting the two buildings beneath Dufourstrasse and lit with daylight from the courtyard at the rear was likewise an integral part of Christ & Gantenbein’s plans right from the start. Their job was rather to create a space that would make just as good a backdrop for the art of the Renaissance and of the seventeenth, eighteenth, and nineteenth centuries. The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. architects architecture engineering engineers switzerland Wed.03.Oct.2018 Kunstmuseum Basel, a feast of archi…texture! Basel Building Photos. The rooms have a powerful physical presence. The overriding aim was to upgrade the infrastructure of the Kunstmuseum Basel as custodian of a world-famous collection, and to strike a balance between our collecting and exhibiting activities. The enlarged Kunstmuseum Basel (left: new building, right: main building). They should certainly not imagine that the only works that would ever hang there would be Modernist or later—works for which the proverbial white cube counts as the ideal space. The Kunstmuseum Basel houses the largest and most significant public art collection in Switzerland, and is listed as a heritage site of national significance.. Its lineage extends back to the Amerbach Cabinet, a collection of works by Hans Holbein purchased by the city of Basel in 1661, which made it the first municipally owned and therefore open to the public museum in the world. About the project In April 2016 the 8,000-square-meter extension of the Kunstmuseum Basel was opened. Earlier efforts to enlarge our architectural infrastructure culminated in the erection in 1980 of one of the world’s first museums of contemporary art on St. Alban-Rheinweg, an annex that was likewise renovated in 2005. In April 2016, the Kunstmuseum Basel is opening its new building, increasing its exhibition space by approximately two thirds. With the opening of the extension to the Kunstmuseum in April 2016, another venue was added to Basel’s cultural wealth. Brutalist church (Kannenfeldstrasse 35, 4056 Basel) Museum of Cultures. On the second floor of our Hauptbau you will find numerous paintings and sculptures of classical modernism and the … The Kunstmuseum Basel ranks among the most renowned institutions of its kind in Europe and beyond. Both the architects and the museum attached the utmost importance to the physical, sensuous presence of the materials used for every detail, no matter how tiny, and discussed these at great length—whether or not there should be baseboards, for example, how the doorways between galleries should be articulated, what the metal fire doors and window shutters should look like. Founded in 1998 by Emanuel Christ and Christoph Gantenbein, and headquartered in Basel, Switzerland, the office employs a team of over 80 architects from 20 countries. 2016 - Completed in 2016 in Basel, Switzerland. The Kunstmuseum Basel’s treasures include some of the finest art of the Renaissance in the Upper Rhine Valley such as the world’s largest collection of works by the Holbein family as well as masterpieces by Konrad Witz, Martin Schongauer, Lucas Cranach the Elder, Matthias Grünewald, and others. The galleries feature an industrial parquet floor made of oak strips glued directly onto the screed and grouted with wood cement. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. The book will be published in April. In the initial days, the museum was housed in 16th century Haus Zur Mücke, which was later transferred to a museum designed by architects Rudolf Christ and Paul Bonatz in 1936. Text description provided by the architects. The Louvre’s choice of Liévin near Lens for conservation and storage is but one example among many. The city of Basel allocated the remaining 50 million francs. Photography: Julian Salinas Basel’s leading cultural destination, the Kunstmuseum, has seen several moves and expansions since its very first home, set up with the Basilius Amerback art collection in the 17th century. 22 avr. Conceptual Fundamentals. All the public access areas have the same matt gray marble flooring, which looks especially impressive in the monumental stairwell. In the foyer, the marble flooring and galvanized steel wall cladding come together in an aesthetic whole that is expressive of both difference and harmony at once. Together they have created a museum building of great structural complexity and discreet simplicity. Remodeling of Kunstmuseum Basel and Laurenzbau Library - 2001–2007 . The Academy of Art and Design is also housed in the new quarter, which occupies a former industrial estate, the Dreispitz area on the southern outskirts of Basel. Once the Burghof site had been purchased, we were able to invite entries to an anonymous competition for the building to be erected there. This extension consists of a new building built on the area opposite the structure dated 1936. infrastructure. With ist varied shades of grey, the new addition to Kunstmuseum Basel relates to ist historic surroundddings in a raw, elegant manner. The idea was that it should enter into a dialogue with the main building; not to outshine it, but to enhance and empower it. Hochbau-und Planungsamt Basel-Stadt Architecture Christ & Gantenbein . The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. post updated 13 Mar 2020. The Kunstmuseum Basel is considered one of the most prominent art museums worldwide. Kunstmuseum Basel | new building. You'll now receive updates based on what you follow! Photo Julian Salinas. Following the conceptual logic of the design, these are spread over all four of the floors that are open to the public, and actually monopolize the whole of the first and second floors. Recent years have seen not only a steady stream of acquisitions, especially of contemporary art, but also an intensification of our exhibition activities with major shows of Hans Holbein the Younger, Pablo Picasso, and, most recently, Charles Ray—to name but a few. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. Cover™ A 100% handmade brick product for facades and roofs. By contrast, the gallery suites as such are structured by right angles. Kunstmuseum Basel Many of Tinguely's kinetic art sculptures are on permanent display, so it is a fantastic museum to visit with kids. The result is a visually stimulating effect as the archaic-looking masonry begins to shine or, at a lower power setting, to glow. Roche Tower Basel, Ozeaneum – Oceanographic Museum, Germany Above and beyond this, we wanted the new building to provide more space for an ever larger collection, especially for the works of the 1950s and later, such as those by Mark Rothko, Barnett Newman, Jasper Johns, Andy Warhol, and Donald Judd. image courtesy of architects Kunstmuseum Basel, new building. 1, 4052 Basel… The new building’s roof line is level with that of the existing structure, so it meets its counterpart on an equal footing; its entrance looks out toward the main building’s arcades, which conversely enjoy an excellent view of its striking façade. It was the first time the art crowd had a chance to check out the newly expanded Kunstmuseum Basel, designed by local firm Christ & Gantenbeim. Each of these exhibitions grew out of a different part of the collection (contemporary art, Modernism, and Old Masters) and each set out to investigate or revisit important aspects of the collection. Despite featuring works by Frank Stella, among others, the foyer does not actually constitute an exhibition space as such. Kunstmuseum Basel | Gegenwart. The present collection of Kunstmuseum Basel is based on this collection. Thus the galleries vary in size and in some cases are larger than those in the main building. The actual connection between the main and new buildings beneath the road is not so much an underpass as an ensemble of large open spaces leading into a generous hall that is foyer, gallery, stage, experimental space, auditorium, and function room rolled into one. Kunstmuseum Basel | new building. The new and enlarged museum consists of two buildings that together form a … Visibly fronting it, but set back at the edges, is the solid, ten-centimeter- thick plasterboard wall that serves as both substrate and backdrop for the paintings. post updated 13 Mar 2020. The museum’s division of twentieth-century art focuses on Cubism (Pablo Picasso, Georges Braque, Fernand Léger), German Expressionism (Ernst Ludwig Kirchner, Franz Marc, Paul Klee, Oskar Kokoschka), Abstract Expressionism (Mark Rothko, Barnett Newman, Clyfford Still, Franz Kline) and American art after 1960 (Andy Warhol, Jasper Johns, Frank Stella, Donald Judd, Cy Twombly). Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. It accommodates special exhibitions as well as presentations of art from the collections. And while The Museum of Modern Art in New York has indeed become a benchmark for modern and contemporary art, it does not have the echoing chamber of a collection of Old Masters, as the Kunstmuseum Basel does. They are in direct communication with each other across the street that runs between them. The new building’s distinctive inverted corner is a symbolic response to the old Kunstmuseum’s no less distinctive projecting corner. The first major enlargement came in 1980, when the Museum für Gegenwartskunst—one of the world’s first dedicated museums of contemporary art, it is now known as Kunstmuseum Basel | Gegenwart—opened its doors on St. Alban-Rheinweg. The Kunstmuseum‘s new building redefines a prominent location in the heart of Basel. Stone: D91 and costum made colour D11, Flensburg format. educational and outreach activities be forgotten. Client Construction and Transportation Department, Canton Basel-Stadt As a result of Christ & Gantenbein’s extension, the enlarged Kunstmuseum consists of two buildings forming a unified presence able to redefine a prominent location in the city of Basel. On the Content of the New Building Basel Architecture, Switzerland : Buildings. Excerpt from Kunstmuseum Basel, New Building, edited by Kunstmuseum Basel, Bernhard Mendes Bürgi, Hatje Cantz Verlag, Ostfildern, 2016. Not only did this necessitate many ad hoc rehangings, but it also had the effect of decimating the second-floor galleries and gravely impairing the unparalleled tour of Modernism that they might otherwise offer. With the Light Frieze, the Kunstmuseum Basel Enters Into a Silent Dialogue With the City ... Based on the idea of luminescent pixel bricks, iart, working together with the architects from Christ & Gantenbein, developed the world’s first intelligent light frieze. This order is visualized through the brickwork’s different shades of gray as well as a frieze executed as a delicate relief. Courtesy Kunstmuseum Basel. But at the recently-opened addition to the Kunstmuseum Basel, designed by Swiss architects Christ & Gantenbein in collaboration with design group iart, … The linear LED lighting is built into the concrete ribs in the ceiling, which, besides making for structural clarity, also accommodate the HVAC ducts. With Kunstmuseum Basel's new building, a prominent location in inner-city Basel has been reclaimed. The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. The extension building, designed by architects Christ & Gantenbein of Basel, is linked with the main building by underground connection and is now open. Weitere Ideen zu Kunstmuseum, Museum, Basel. Together with the foyer zones, the staircase describes a free and expressive  figure in space illuminated from above by a large round skylight. The supporting wall made of concrete with gray rendering is similarly explicit, as is evident in the door and window reveals. Images by Walter Mair, Stefano Graziani, Pablo Casals Aguirre. But you can also discover many masterpieces of the 17th to 19th centuries. Kunstmuseum Basel. Photo Julian Salinas. This extension consists of a new building built on the area opposite the structure dated 1936. The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. Follow a guide through Basel’s pretty Old Town and gain insight into its 15th-century history. Courtesy Kunstmuseum Basel. Founded in 1998 by Emanuel Christ and Christoph Gantenbein, and headquartered in Basel, Switzerland, the office employs a team of over 80 architects from 20 countries. Architect Emmanuel Christ of Christ & Gantenbein and Valentin Spiess of iart met for a discussion about the joint collaboration, and they are amazed how close they have kept to … Curators were therefore obliged to improvise, which they did by temporarily repurposing the galleries earmarked for the permanent collection. All images are © each office/photographer mentioned. Kunstmuseum Basel – new building The building by Basel architects Christ & Gantenbein is imposing with its grey brick façade, its small number of large windows and its integrated LED lighting. Here starts the central staircase of the new building, which echoes motifs of that in the main building: gray, veined Bardiglio marble from Carrara on the floor and rough scraped plaster in a cooler shade of gray on the walls. Thus it encompasses both a large foyer and, thanks to the daylight supplied by the aforementioned courtyard, the first of the exhibition spaces. Museum Tinguely in Basel. Gift from the artist 2005. The need to obtain orthogonal exhibition spaces from an irregularly shaped plot, which being relatively small had to be exploited to the full, was likewise an important factor informing the architects’ design. Designed by the Basel-based architecture firm Christ & Gantenbein, the new building is also a fresh highlight in the city’s architectural landscape. The rooms vary widely in size, ranging from cabinet to large hall. All the galleries are perfectly proportioned in terms of length, breadth, and ceiling height—this being just as essential to the effective staging of art as the harmonious interaction of floor, ceiling, and wall. With Kunstmuseum Basel's new building, a prominent location in inner-city Basel has been reclaimed. A steadily growing collection and ever more exacting demands with regard to how works of art are presented have repeatedly necessitated new architectural departures. The main stipulations of the concept, therefore, were that the galleries be centrally located, that the architecture in the exhibition areas support rather than dominate the art, and that the main and the new buildings be physically connected. Renovation and Extension Oskar Reinhart Collection 'Am Römerholz', Winterthur - 1995–1998 . Schaulager is located outside the centre of Basel, in the immediate vicinity of a new cultural district with workshops and studios, service businesses, storehouses and exhibition spaces. the world's most visited architecture website, © All rights reserved. It was already part of the design for the extension to the Kunstmuseum Basel in 2010, located in the city center of Basel, Switzerland, at the intersection of five streets. Housing Development Brunnenhof, Zurich - 2003–2007 . A folding mass of variegated brick constitutes the confident new addition to the Kunstmuseum Basel, designed by Swiss firm Christ & Gantenbein. Museum by Herzog & De Meuron (Münsterpl. The winning project submitted in the second stage of the selection process already bore all the distinctive hallmarks that were to be developed as planning progressed, above all the concave “kink” that references a historical group of houses, and lends an exterior presence that might otherwise seem monolithic, a wonderful, almost playful, lightness of touch. Welcome to the Kunstmuseum Basel! A large foyer with room for up to a thousand people that could be used for openings, symposia, performances, concerts, and lectures was considered especially desirable. Text: Bernhard Mendes Bürgi The elements that define them are clearly articulated components; assembled, they generate a tectonics that maximizes the architectural effect of the whole. The extended museum comprises two directly interrelating buildings on opposite sides of the street. Design Team Emanuel Christ (Lead Architect), Christoph Gantenbein (Lead Architect), Julia Tobler (Project Manager, Extension), Michael Bertschmann (Project Manager Extension), Stephanie Hirschvogel (Project Manager Main building Renovation) It frames the intersection, effectively turning it into its own forecourt. The building was actually co-financed by a local benefactor who donated 50 million francs in addition to the real estate. The creation of additional in situ storage space, first and foremost a specially air-conditioned area to be set aside for the photography collection that has grown considerably in recent years, was also high up on our wish list. photo : Roland Halbe, Comments / photos for the The Kunstmuseum in Basel page welcome, Swiss Architecture News: Buildings Designs, Schindler Campus Ebikon Building, Lucerne. It is more an event space accentuated by works of art, which for a change of emphasis can be rehung from time to time. Even the thick layer of plaster coating the walls was chosen not just to facilitate the installation of the artworks, but also as an expression of our conviction that only in an exhibition architecture made of carefully selected materials can art truly flourish. Novartis HQ Basel, Roche Tower The other factors included visitor-friendly ticketing and cloakroom services and multipurpose event spaces. There were net gains in exhibition space in the main building too, and room enough for the installation of a bookstore / museum shop and bistro. Basel Building, Swiss Architects, Images, New Architecture Switzerland. ARGE Generalplaner KME Basel,Christ & Gantenbein AG / Peter Stocker AG. As the planning work progressed, this underground passage on the first lower level acquired an ever sharper profile as a generously dimensioned access area far removed from conventional notions of tunnels as dark and narrow conduits. The Interaction of Art and Architecture The firm's most prominent completed projects include the expansion and transformation of the Swiss National Museum in Zurich and the extension of the Kunstmuseum Basel, both cultural landmarks with a global reach. The staircase provides access to the second floor which, furnished with skylights, is to be used mainly for special exhibitions. June 2020. An additional building was constructed in 2016, designed by Swiss architects Christ & Gantenbein. The main building of the Kunstmuseum Basel, designed by Rudolf Christ and Paul Bonatz in the 1930s In 2016, an additional building was completed after a design by Swiss architects Christ & Gantenbein. The Kunstmuseum’s main building on St. Alban-Graben designed by Christ & Bonatz in 1936 was therefore modernized in parallel to work on the new building. The main building (opened 1936) and the Kunstmuseum Basel | Gegenwart (opened 1980), which is sited in close vicinity on the banks of the Rhine, are to be complemented by the new building. Thus, while the new building does indeed speak the same language as its counterpart, the story it tells is a different and novel one. Personalize your stream and start following your favorite authors, offices and users. Light is the medium. The design was chosen from 23 … Home > Switzerland buildings > The Kunstmuseum in Basel, Switzerland, The Kunstmuseum, Basel Building, Swiss Design, Architect, Images, Amerbach Cabinet Project, Öffentliche Kunstsammlung: Art Gallery Building in Switzerland – design by Christ & Gantenbein, architects, Extended Kunstmuseum Basel opens mid April. The Kunstmuseum extension in Basel projects solidity and strength even as it defers to its august progenitor Comprising 50 paintings and a large portfolio of drawings and prints, the Amerbach-Kabinett was an art collection assembled by the Basel-based lawyer and academic, Basilius Amerbach, in the latter half of the 16th century. The Basel Kunstmuseum’s latest expansion project involves a grey brick building by local architects Christ & Gantenbein. Photo Stefano Graziani. The Kunstmuseum's main building was designed and constructed 1931-1936 by architects Paul Bonatz and Rudolf Christ, adjacent to the former building of the Swiss National Bank in Basel.. Behnisch Architekten Architect: Main Building was a collaborative work with the city people ; New Building Christ & Gantenbein Date: Main Building 1936 ; New Building 2008 Location: Basel, Switzerland Hours of Operation: 10 – 20 The Kunstmuseum in Basel is one of the largest historic and modern art collections in all of Europe, being the home to several exclusive paintings, sculptures, and literature. Another highlight is nineteenth-century art, where the museum has sizable ensemble of paintings by Arnold Böcklin and Ferdinand Holder as well as outstanding works by Claude Monet, Camille Pissarro, and Vincent van Gogh. The new extension was designed by Basel based architects Emanuel Christ and Christoph Gantenbein. In the LinkedIn archipelago of corporate information, we seldom see any articles about the actual design or the details of projects that impact our living environment. Since the acquisition of the adjoining Laurenz Building, moreover, premises formerly occupied by the Swiss National Bank, it has been able to house not only its library and offices there, but also the University of Basel’s Art History Department. The stairwell, incidentally, is an exceptionally good example of Christ & Gantenbein’s inspired engagement with the main building, as evidenced by their use of rough scraped plaster for parts of the walls and ceilings, and by the round skylight crowning the almost sculptural-looking staircase. It was originally conceived solely for the presentation of the museum’s collections. Since its founding in 1661 the Kunstmuseum Basel has continuously acquired and developed to become the innovative index of current artistic production that it is today. These are spaces that allow art to take center stage. Important ensembles of works from recent decades by artists including Joseph Beuys, Gerhard Richter, On Kawara, Louise Lawler, Simon Starling, Olafur Eliasson, Rosemarie Trockel, Pierre Huyghe, and Gabriel Orozco round out the collection. It has a long established tradition with a collection of works representing the highest artistic standards. If at all possible, the new building was to be situated in the immediate vicinity of the main building, thus becoming an integral, and indeed assertive, part of its specific urban context. Architects: Christ & Gantenbein, Basel. Architect Planning: Herzog & de Meuron, Basel, Switzerland Structural Engineering: Walther Mory Maier, Bauingenieure AG, Basel, Switzerland Kunstmuseum Basel. Courtesy Kunstmuseum Basel. The choice of industrial parquet flooring in the galleries deserves a special mention here. On the first floor of our Hauptbau the old masters have a fixed place. Design: various architects – photos On average, the galleries in the new building are a good deal larger and hence more  flexible than those in the old building, while still hewing to classical expectations of what museum spaces should be like: serene and restrained, agreeably proportioned, and made of timeless materials. In a city whose reputation has become associated with high art, the new building updates this important Basel institution, bringing it to the standards expected of a major cultural destination. Construction and Transport Department of the Canton of Basel-Stadt, Städtebau & Architektur,Hochbauamt. Excerpt from Kunstmuseum Basel dates back to a collection of Kunstmuseum Basel 's new building built on Content! Best museum be forgotten museum comprises two directly interrelating buildings on opposite sides the... Building ) rights reserved begins to shine or, at a lower setting. 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